Conference on Tue, Nov 5, 09–18 at AdBK Munich, Akademiestraße 2, Main Building, Central Lecture Hall, free admission
With: Elisa Giardina Papa, Orit Halpern, Francis Hunger, Vladan Joler, Kevin B. Lee, RYBN, Felix Stalder, Hito Steyerl
The political economy of AI impacts on both its generative output as well as on art scenes and creative labor. Which strategies and tactics can artists employ in a sphere of corporate generative media to avoid redundancy and their own obsolescence?
The conference tackles these questions through multiple perspectives: Theft and extraction of data from users to train large generative AI models. The replacement of human labor, or the simulation of machine labor through human labor. The environmental impact of heavy computation.
How do these become visible within generative output? How do they modify the conditions of artistic labor and what are strategies of resistance against corporate extraction? How can art and art education react in the face of the serious challenges to arts‘ aesthetic and material environment?
Schedule
09.00 Talk: Felix Stalder – Unreal Creations. Generative AI as premonition
10.00 Elisa Giardina Papa
11.00 Vladan Joler – Calculating Empires: A Genealogy of Technology and Power Since 1500
12.00 Break
13.00 RYBN – Human Computers, a laborious mediarcheological study
14.00 Kevin B. Lee – The Generative Afterlife of an Extremist Archive
15.00 Orit Halpern – Speculative Nets: Artificial Intelligence, Finance, and Reactionary Politics
16.00 AUDIO, PLATFORMS, LABOR, intervention
17.00 Response by Hito Steyerl and Francis Hunger
Abstracts
Felix Stalder – Unreal Creations. Generative AI as premonition
It is often said that generative AI is conservative, even reactionary, that it can only recreate versions of the past, contained in its training data. That data, it is also regularly pointed out that, contains mainly historical biases which generative AI reproduced and amplifies. Both of these claims are correct, and trigger calls to make AI more fair, accountable and transparent. In my talk, I want to shift away from such questions of representation, and focus on the generative dimension. Generative AI produces “unreal data” that is, presentation of things that do not exist, but might come into existence based on that data. They are premonitions of worlds to come. Thus, the question we need to ask, is perhaps less if the images (videos, texts, and sounds) are correct or fair, but whether the worlds they envision are desirable.
Elisa Giardina Papa
[…]
Vladan Joler – Calculating Empires: A Genealogy of Technology and Power Since 1500
Calculating Empires is a large-scale research visualization and physical installation exploring how technical and social structures co-evolved over five centuries. It traces technological patterns of colonialism, militarization, automation, and enclosure since 1500 to show how these forces still subjugate and how they might be unwound. In this guided tour, Vladan Joler will deep dive into some of the shifts in communication technologies, infrastructures, and computational architectures, and how they are entwined with the histories of social control and classification.
RYBN – Human Computers, a laborious mediarcheological study
“Human Computer” (RYBN.ORG, 2015–2022) is a mediarcheological investigation that argues that computation is rooted in Adam Smith’s Division of labor, as exemplified by the manufacture of calculus established in 1793 by Gaspard Riche de Prony (D. Roegel, D. A. Grier). The research revisits several seminal attempts to simulate intelligence: From the infamous Mechanical Turk (W. von Kempelen, 1770) to the contemporary human-in-the-loop computing paradigm, passing by Eliza (J. Weizenbaum, 1964) and the Turing test (A. Turing, 1950).
It uses the perspectives of digital labor studies, as well as Philip K. Dick’s notion of simulacra. To reevaluate them by following this composite genealogy, we state that what is called today ‘Artificial Intelligence’ inscribes itself in the long tradition of the apparatus of labor metrics, surveillance and optimization (A. Rabinbach). In the age of Artificial Artificial intelligence, Pseudo-AI and Faux-AI, the question we ask is: what trick made us loose sight of these laborious origins so to ingenuously believe that “Artificial Intelligence” was about intelligence?
Kevin B. Lee – The Generative Afterlife of an Extremist Archive
Generative AI algorithms can function as an inadvertent archive of illicit images such as extremist propaganda and violent content. Certain search terms can be used to access this archive, however transformed by algorithms that enforce safety on the one hand and reinforce aesthetic idealizations on the other. This presentation shares research related to an upcoming film that explores how the current state of online media shapes the memory, ethics, and rewriting of violent histories.
Orit Halpern – Speculative Nets: Artificial Intelligence, Finance, and Reactionary Politics
The talk will examine the relationship between psychology, neo-liberal economic thought, and technology since the 1970’s. I will discuss how ideas of democracy, freedom, agency, and decision making were reconfigured in terms of self-organizing systems, communication, and non-consciousness. I argue this change continues to inform contemporary politics, and shape how we understand institutions, ‘the human’ and technology.
Speaker’s Bios
Orit Halpern is a Lighthouse Professor and the Chair of Digital Cultures at Technische Universität Dresden. Her research is on histories of cybernetics, design, and artificial intelligence. She is currently working on two projects. The first is a history of automating decision making and the second examines the history of experimentation at planetary scales in design, science, and engineering. https://tu-dresden.de/gsw/slk/germanistik/digitalcultures/die-professur/inhaber-in
Prof. Vladan Joler is an academic, researcher and artist whose work blends critical design, data investigations, counter-cartography, investigative journalism, writing, and data visualization. He explores and visualizes different technical and social aspects of algorithmic transparency, digital labour exploitation, invisible infrastructures and many other contemporary phenomena in the intersection between technology and society. https://labs.rs/en/
Kevin B. Lee is a filmmaker and media researcher who has produced nearly 400 video essays exploring film and media. His award-winning Transformers: The Premake introduced the “desktop documentary” format. He is the Locarno Film Festival Professor for the Future of Cinema and the Audiovisual Arts at Università della Svizzera italiana (USI). https://usi.to/ba77
RYBN.ORG (*1999) is an artist collective based in Paris. http://www.rybn.org
Felix Stalder is a professor teaching Digital Culture at the Zurich University of the Arts. His work focuses on the intersection of cultural, political and technological dynamics, in particular on commons, copyright, datafication, AI, and transformation of subjectivity. He not only works as an academic, but also as a cultural producer, and for many years as moderator of the mailing list <nettime>, and now of its mastodon instance, TLDR.nettime. He is a member of the World Information Institute and the Technopolitics Working Group, both based in Vienna. He is the author/co-editor of numerous books, among others,
Kultur der Digitalität / Digital Condition / 字 状 况 (Suhrkamp, 2016/Polity Press, 2018, School of Public Art, 2023), Aesthetics of the Commons (Diaphanes, 2021), Contemporaneity in Embodied Data Practices (with Cornelia Sollfrank, Sternberg Press, 2025). http://felix.openflows.com
Directions
AdBK Munich, Akademiestraße 2, 80799 Munich, Main Building, Central Lecture Hall
Closest Metro Station: “Universität”, with lines 3 and 6. From main station use S‑Bahn and change lines at “Marienplatz”.
The venue is wheel chair accessable.