If AI was the answer what was the question again?

If AI was the answer what was the question, again?

Conference on Tue, Nov 5, 09–18 at AdBK Munich, Akademiestraße 2, Main Building, Central Lecture Hall, free admis­sion

With: Elisa Giardina Papa, Orit Halpern, Francis Hunger, Vladan Joler, Kevin B. Lee, RYBN, Felix Stalder, Hito Steyerl

The polit­i­cal econ­o­my of AI impacts on both its gen­er­a­tive out­put as well as on art scenes and cre­ative labor. Which strate­gies and tac­tics can artists employ in a  sphere of cor­po­rate gen­er­a­tive media to avoid redun­dan­cy and their own obso­les­cence?

The con­fer­ence tack­les these ques­tions through mul­ti­ple per­spec­tives: Theft and extrac­tion of data from users to train large gen­er­a­tive AI mod­els. The replace­ment of human labor, or the sim­u­la­tion of machine labor through human labor. The envi­ron­men­tal impact of heavy com­pu­ta­tion.

How do these become vis­i­ble with­in gen­er­a­tive out­put? How do they mod­i­fy the con­di­tions of artis­tic labor and what are strate­gies of resis­tance against cor­po­rate extrac­tion? How can art and art edu­ca­tion react in the face of the seri­ous chal­lenges to arts‘ aes­thet­ic and mate­r­i­al envi­ron­ment?

Schedule

09.00 Talk: Felix Stalder – Unreal Creations. Generative AI as pre­mo­ni­tion

10.00 Elisa Giardina Papa

11.00 Vladan Joler – Calculating Empires: A Genealogy of Technology and Power Since 1500

12.00 Break

13.00 RYBN – Human Computers, a labo­ri­ous medi­arche­o­log­i­cal study

14.00 Kevin B. Lee – The Generative Afterlife of an Extremist Archive

15.00 Orit Halpern – Speculative Nets: Artificial Intelligence, Finance, and Reactionary Politics

16.00 AUDIO, PLATFORMS, LABOR, inter­ven­tion

17.00 Response by Hito Steyerl and Francis Hunger

Abstracts

Felix Stalder – Unreal Creations. Generative AI as premonition

It is often said that gen­er­a­tive AI is con­ser­v­a­tive, even reac­tionary, that it can only recre­ate ver­sions of the past, con­tained in its train­ing data. That data, it is also reg­u­lar­ly point­ed out that, con­tains main­ly his­tor­i­cal bias­es which gen­er­a­tive AI repro­duced and ampli­fies. Both of these claims are cor­rect, and trig­ger calls to make AI more fair, account­able and trans­par­ent. In my talk, I want to shift away from such ques­tions of rep­re­sen­ta­tion, and focus on the gen­er­a­tive dimen­sion. Generative AI pro­duces “unre­al data” that is, pre­sen­ta­tion of things that do not exist, but might come into exis­tence based on that data. They are pre­mo­ni­tions of worlds to come. Thus, the ques­tion we need to ask, is per­haps less if the images (videos, texts, and sounds) are cor­rect or fair, but whether the worlds they envi­sion are desir­able.

Elisa Giardina Papa

[…]

Vladan Joler – Calculating Empires: A Genealogy of Technology and Power Since 1500

Calculating Empires is a large-scale research visu­al­iza­tion and phys­i­cal instal­la­tion explor­ing how tech­ni­cal and social struc­tures co-evolved over five cen­turies. It traces tech­no­log­i­cal pat­terns of colo­nial­ism, mil­i­ta­riza­tion, automa­tion, and enclo­sure since 1500 to show how these forces still sub­ju­gate and how they might be unwound. In this guid­ed tour, Vladan Joler will deep dive into some of the shifts in com­mu­ni­ca­tion tech­nolo­gies, infra­struc­tures, and com­pu­ta­tion­al archi­tec­tures, and how they are entwined with the his­to­ries of social con­trol and clas­si­fi­ca­tion.

RYBN – Human Computers, a laborious mediarcheological study

“Human Computer” (RYBN.ORG, 2015–2022) is a medi­arche­o­log­i­cal inves­ti­ga­tion that argues that com­pu­ta­tion is root­ed in Adam Smith’s Division of labor, as exem­pli­fied by the man­u­fac­ture of cal­cu­lus estab­lished in 1793 by Gaspard Riche de Prony (D. Roegel, D. A. Grier). The research revis­its sev­er­al sem­i­nal attempts to sim­u­late intel­li­gence: From the infa­mous Mechanical Turk (W. von Kempelen, 1770) to the con­tem­po­rary human-in-the-loop com­put­ing par­a­digm, pass­ing by Eliza (J. Weizenbaum, 1964) and the Turing test (A. Turing, 1950).
It uses the per­spec­tives of dig­i­tal labor stud­ies, as well as Philip K. Dick’s notion of sim­u­lacra. To reeval­u­ate them by fol­low­ing this com­pos­ite geneal­o­gy, we state that what is called today ‘Artificial Intelligence’ inscribes itself in the long tra­di­tion of the appa­ra­tus of labor met­rics, sur­veil­lance and opti­miza­tion (A. Rabinbach). In the age of Artificial Artificial intel­li­gence, Pseudo-AI and Faux-AI, the ques­tion we ask is: what trick made us loose sight of these labo­ri­ous ori­gins so to ingen­u­ous­ly believe that “Artificial Intelligence” was about intel­li­gence?

Kevin B. Lee – The Generative Afterlife of an Extremist Archive

Generative AI algo­rithms can func­tion as an inad­ver­tent archive of illic­it images such as extrem­ist pro­pa­gan­da and vio­lent con­tent. Certain search terms can be used to access this archive, how­ev­er trans­formed by algo­rithms that enforce safe­ty on the one hand and rein­force aes­thet­ic ide­al­iza­tions on the oth­er. This pre­sen­ta­tion shares research relat­ed to an upcom­ing film that explores how the cur­rent state of online media shapes the mem­o­ry, ethics, and rewrit­ing of vio­lent his­to­ries.

Orit Halpern – Speculative Nets: Artificial Intelligence, Finance, and Reactionary Politics

The talk will exam­ine the rela­tion­ship between psy­chol­o­gy, neo-lib­er­al eco­nom­ic thought, and tech­nol­o­gy since the 1970’s. I will dis­cuss how ideas of democ­ra­cy, free­dom, agency, and deci­sion mak­ing were recon­fig­ured in terms of self-orga­niz­ing sys­tems, com­mu­ni­ca­tion, and non-con­scious­ness. I argue this change con­tin­ues to inform con­tem­po­rary pol­i­tics, and shape how we under­stand insti­tu­tions, ‘the human’ and tech­nol­o­gy.

Speaker’s Bios

Orit Halpern is a Lighthouse Professor and the Chair of Digital Cultures at Technische Universität Dresden. Her research is on his­to­ries of cyber­net­ics, design, and arti­fi­cial intel­li­gence. She is cur­rent­ly work­ing on two projects. The first is a his­to­ry of automat­ing deci­sion mak­ing and the sec­ond exam­ines the his­to­ry of exper­i­men­ta­tion at plan­e­tary scales in design, sci­ence, and engi­neer­ing. https://tu-dresden.de/gsw/slk/germanistik/digitalcultures/die-professur/inhaber-in

Prof. Vladan Joler is an aca­d­e­m­ic, researcher and artist whose work blends crit­i­cal design, data inves­ti­ga­tions, counter-car­tog­ra­phy, inves­tiga­tive jour­nal­ism, writ­ing, and data visu­al­iza­tion. He explores and visu­al­izes dif­fer­ent tech­ni­cal and social aspects of algo­rith­mic trans­paren­cy, dig­i­tal labour exploita­tion, invis­i­ble infra­struc­tures and many oth­er con­tem­po­rary phe­nom­e­na in the inter­sec­tion between tech­nol­o­gy and soci­ety. https://labs.rs/en/

Kevin B. Lee is a film­mak­er and media researcher who has pro­duced near­ly 400 video essays explor­ing film and media. His award-win­ning Transformers: The Premake intro­duced the “desk­top doc­u­men­tary” for­mat. He is the Locarno Film Festival Professor for the Future of Cinema and the Audiovisual Arts at Università del­la Svizzera ital­iana (USI). https://usi.to/ba77

RYBN.ORG (*1999) is an artist col­lec­tive based in Paris. http://www.rybn.org

Felix Stalder is a pro­fes­sor teach­ing Digital Culture at the Zurich University of the Arts. His work focus­es on the inter­sec­tion of cul­tur­al, polit­i­cal and tech­no­log­i­cal dynam­ics, in par­tic­u­lar on com­mons, copy­right, datafi­ca­tion, AI, and trans­for­ma­tion of sub­jec­tiv­i­ty. He not only works as an aca­d­e­m­ic, but also as a cul­tur­al pro­duc­er, and for many years as mod­er­a­tor of the mail­ing list <net­time>, and now of its mastodon instance, TLDR.nettime. He is a mem­ber of the World Information Institute and the Technopolitics Working Group, both based in Vienna. He is the author/­co-edi­tor of numer­ous books, among oth­ers,
Kultur der Digitalität / Digital Condition / 字 状 况 (Suhrkamp, 2016/Polity Press, 2018, School of Public Art, 2023), Aesthetics of the Commons (Diaphanes, 2021), Contemporaneity in Embodied Data Practices (with Cornelia Sollfrank, Sternberg Press, 2025). http://felix.openflows.com

Directions

AdBK Munich, Akademiestraße 2, 80799 Munich, Main Building, Central Lecture Hall

Closest Metro Station: “Universität”, with lines 3 and 6. From main sta­tion use S‑Bahn and change lines at “Marienplatz”.

The venue is wheel chair access­able.